RoseMontague
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This suggests that there is photographic evidence of the glass on top:
"... as has already been observed (the room was turned upside-down), involved the movement of objects and [44] thus also of pieces of glass, thus rendering the situation which was subsequently photographed somewhat different from the one described by the witnesses. Therefore, the presence of glass on top of the various objects scattered on the floor all over the place is considered as supporting proof of the testimony that is not falsified by the photos. It is certain that the presence of pieces of glass on top of objects found out of their place cannot but suggest a simulation, since the throwing of the stone and the breaking and falling of the glass must have happened when Romanelli's room was as she left it, and in particular pieces of glass should not have been found on top of objects supposedly thrown around by the phantom burglar, who was only supposed to have entered the room after breaking the window, so that the clothing and the objects would have actually been tossed down on top of the glass."
Ref: pg 55; http://www.westseattleherald.com/si...ttachments/MasseiReportEnglishTranslation.pdf
Since Guede had previously entered the law office by climbing up the door grate onto the balcony and in through the French doors, why wouldn't he do the same thing in this case. It was far easier to climb up over the balcony and in through the kitchen window than to scale a wall that was visible from the street a few times - especially since he didn't know if the window was locked. Furthermore, there is no evidence of broken glass on the ground below the window, making it very unlikely that anyone actually climbed in through that window.
Here is a quote from Burleigh's book on how this went down after the defense asked for a photograph of the glass on top of the clothes.
By the end of the trial, Mignini was insisting that the last best piece of proof of the students’ guilt was the fake break-in and robbery. He and the police said that the defendants had made one little mistake in their carefully staged scene: they had tossed around Filomena’s clothing first, and then thrown a rock at the window from inside, spraying glass on top of the clothes when it should have been under them. Police had described this in trial testimony but never shown it. It was determined that the Kerchers’ civil lawyer, Francesco Maresca, was the only lawyer in the room who knew how to find the picture in his copy of the massive, unorganized digital case archive. His laptop was beamed onto the wall screen, and his motocross screensaver came up, a bike at right angles to a spray of dirt. The dapper Florentine with the gold-embedded shark’s tooth dangling beneath his bespoke shirt collar smirked and then clicked the mouse again to bring up a picture of Filomena’s bed as it had looked on the morning of November 2, 2007. The defense lawyers insisted that what was supposed to be glass on top of a blue dress on the bed was actually a white dot pattern in the fabric. No one denied that or even bothered to explain what could have happened to the damning glass on top of the clothes in Filomena’s room. In the last minutes of the trial, it was clear that no photographic proof of “glass on top of clothes” even existed and that it didn’t matter anyway.
Rudy didn't pick the balcony because it was well lit and was also visible from the road.
It was not only lighted by the streetlamp, there is also a cottage lamp right next to the balcony.