Feel free to laugh at me after reading this! This has to do with the play about the Pelicot trial and my confusion about the wording used in the first article I read.
Quoting from the article:
The play,
set inside a 14th-century Carmelite cloister,
lasts three hours and uses real transcripts from the trial
as well as police files, social commentary and psychiatric reports.
I’m laughing at myself for being so literal. Ever since I read about the play “
The Pelicot Trial: Tribute to Gisèle Pelicot,” I’ve been quite puzzled. I haven’t been able to figure out how the play could be “set inside a 14th century Carmelite cloister.” The
“setting” of a play is an integral part of the play, describing where and when the action is taking place, and that setting has an influence on the play. I cculd NOT figure out how setting the play about the Pelicot trial in a Carmelite cloistered convent could possibly have any relevance to the trial. And besides, Carmelite nuns spend most of their time in contemplative silence. How would that fit?
In my feeble defense, I live in a town with a live theatre festival, so this sort of wording definitely didn’t make sense to me. And I’m probably the only one here it would bother. I just had to get to the bottom of it. As the link below describes, the play is
staged in the open air Carmelite cloister which seats 500 people. That is the theatre where the play is performed! What a difference a word makes, and what a relief. It is not
set in a convent, thankfully not adding some kind of obscure symbolic imagery to the play about the trial. No silent nuns are involved in the play. You can laugh at me now! I can take it!


All humor aside, it sounds as if the play has captured the intensity and meaning of this horrible case, as well as the courage of Giselle.
Case that exposed France’s rape culture and shocked the world has been made into play to be shown in Avignon, where trial was held
www.theguardian.com
Quoting from this article:
The performance is made up of staged readings of extracts from the trial, police files, social commentary and psychiatric reports. It looks at the 51 convicted and the question of how these men, including a nurse, a soldier, a journalist, a prison warden and delivery drivers, aged from 26 to 74, could travel to Pelicot’s home to rape her. More than 50 performers will read extracts from the trial, and those on stage will include a psychiatric expert from the case and court artists who were present at the trial.
Rau said it was important to stage the theatre piece in Avignon, where the trial took place and where crowds had gathered outside the court daily to cheer Gisèle Pelicot, and where the city walls were plastered with her quotes.
It will be staged in a 14th-century open-air Carmelite cloister, with seats for 500 people, as part of the city’s renowned theatre festival.
BBM