Legally Bland
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14:19PATRICK EDRICH
“Just to remind you of the evidence so far as those shots were concerned, it’s impossible for Mr Horne to say in which order the shots were fired from upwards to downwards or down to up. What he could say was, in view of the speed, it was a movement of the muzzle one way or the other which would explain the range of shots there.
“We will look at the downstairs shots. You will remember our case, that the order of shooting is upstairs and then downstairs. You can see shots A and B. You will remember the evidence was that shot A is a ricochet mark, which having ricocheted from the point at A goes on to strike the frame above the door at A1. Then shot B, which ricochets at point B and ends up in the point at B1, again above the door.
“We suggest to you they are part of a single discharge, one pressing of the trigger. It’s not possible to say whether shot A is necessary the first shot. You can see where the gun is likely to have been pointed. You see C above the door. Then D and E. You can see the general shaping. When it comes to shots which were fired into the open doorway, those are at photograph five. You can see H and H1 again, the ricochet. G, N and F. It may be difficult to visualise the pattern of these shots, because that door is open. When we looked upstairs, you may recollect, it’s a flat surface and you can see a distinctive shape.
“If you imagine the door is shut, the shots actually hit the door. Assuming they would be somewhere in line with where we see them marked, you may consider that if that is done, what we suggest may emerge from that is a pattern that is not entirely dissimilar from the pattern that you see upstairs. The extension of that range, shots A and B going into that wall and at the extreme right the shot downwards at E. we suggest there is perhaps a similar, almost archlike pattern or curve which we say does bear a similar pattern.
“If that’s right, what it may demonstrate is that what James Witham was doing downstairs was much the same as he was doing upstairs. Waving the gun in very quick movements to create that almost curvelike disposal of the shots. It was a very swift movement indeed. It must have been. It’s almost impossible to visualise or express how quick it is. If you think, how long did it take me to say that? Two, three seconds? It’s a fraction of a second that all of those shots have been fired. It tells you something about the speed at which the muzzle has moved, we say in a swinging motion. It’s over almost as quickly as they began. Of all those nine shots downstairs, one and one only hits Ashley Dale.”
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Gunshots 'over almost as quickly as they began'
Mr Pratt returns to the “ballistics evidence”.“Just to remind you of the evidence so far as those shots were concerned, it’s impossible for Mr Horne to say in which order the shots were fired from upwards to downwards or down to up. What he could say was, in view of the speed, it was a movement of the muzzle one way or the other which would explain the range of shots there.
“We will look at the downstairs shots. You will remember our case, that the order of shooting is upstairs and then downstairs. You can see shots A and B. You will remember the evidence was that shot A is a ricochet mark, which having ricocheted from the point at A goes on to strike the frame above the door at A1. Then shot B, which ricochets at point B and ends up in the point at B1, again above the door.
“We suggest to you they are part of a single discharge, one pressing of the trigger. It’s not possible to say whether shot A is necessary the first shot. You can see where the gun is likely to have been pointed. You see C above the door. Then D and E. You can see the general shaping. When it comes to shots which were fired into the open doorway, those are at photograph five. You can see H and H1 again, the ricochet. G, N and F. It may be difficult to visualise the pattern of these shots, because that door is open. When we looked upstairs, you may recollect, it’s a flat surface and you can see a distinctive shape.
“If you imagine the door is shut, the shots actually hit the door. Assuming they would be somewhere in line with where we see them marked, you may consider that if that is done, what we suggest may emerge from that is a pattern that is not entirely dissimilar from the pattern that you see upstairs. The extension of that range, shots A and B going into that wall and at the extreme right the shot downwards at E. we suggest there is perhaps a similar, almost archlike pattern or curve which we say does bear a similar pattern.
“If that’s right, what it may demonstrate is that what James Witham was doing downstairs was much the same as he was doing upstairs. Waving the gun in very quick movements to create that almost curvelike disposal of the shots. It was a very swift movement indeed. It must have been. It’s almost impossible to visualise or express how quick it is. If you think, how long did it take me to say that? Two, three seconds? It’s a fraction of a second that all of those shots have been fired. It tells you something about the speed at which the muzzle has moved, we say in a swinging motion. It’s over almost as quickly as they began. Of all those nine shots downstairs, one and one only hits Ashley Dale.”

Ashley Dale murder trial as it happens
The 28-year-old was shot dead at her home on Leinster Road in Old Swan