bringmeacupoft
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So very sad, RIP Sarah.
This latest report in Camden New Journal just doesn't add up, and contradicts other media reports. It states that Sarah was seen walking the tracks on CCTV before being struck by a train, and that she was likely walking the tracks after missing the last train home on the Friday night. But other media reports state that Sarah was hit by a train at 1am on the Monday, nearly two days after she went missing.Someone must know where she was, but I don't think we will be told any more.
I could understand a teenager not knowing the way home but thinking they could follow the tracks home.This latest report in Camden New Journal just doesn't add up, and contradicts other media reports. It states that Sarah was seen walking the tracks on CCTV before being struck by a train, and that she was likely walking the tracks after missing the last train home on the Friday night. But other media reports state that Sarah was hit by a train at 1am on the Monday, nearly two days after she went missing.
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Tributes to artist Sarah Cunningham after tragic end to search
Investigation will look at whether she was able to walk into underground train tunnelwww.camdennewjournal.co.uk
The article also states that it's believed that Sarah got disoriented as she walked in the tracks and sadly passed out before being struck shortly afterwards.
As well as contradictory timelines, I find it hard to fathom that a savvy young woman would jump on some train tracks and start walking down a pitch black tunnel in a bid to get home. Even if she was very inebriated, that's just not something most people would do when drunk. We'll probably never know the real reason why what happened happened but all the actions involved would suggest Sarah may not have been in a great headspace. I don't know, it just feels odd to me that a different picture is being painted by the Camden Journal but none of it makes any sense, factually speaking.
I wonder if she was actually in Chalk Farm Underground station (would it be open at 3am?) or if she was on the above ground train lines that run next to it?
In order to remain productive, she would sometimes force herself to work without sleep for 40 hours straight
In an interview with the American magazine Cultured, she recalled the demands of working as an art student without being able to rely on family means “During the day, I would drive a van carrying smoothie-making bikes all over the UK, a new city every day, to and from Nottingham,” she said.
“I was on the road all the time, often sleeping in service station car parks on the side of the motorway. But all I could think about was painting.”
The demands of manual labour meant she had to paint at night. After a long shift on the road, and when many of her contemporaries were heading to bed or hitting Nottingham’s drinking holes, she would retreat to her makeshift studio and paint with a ferocious drive.
In order to remain productive, she would sometimes force herself to work without sleep for 40 hours straight.
Sarah Cunningham: the art world grieves a bold and exciting painter
I don't disagree with that at all.With no disrespect to @Twittens intended whatsoever, this article has really got under my skin.
The tormented suffering artist = an offensive and tired old trope that is harmful to creative people in all genres. Promotors and agents push the notion for investors to believe that their chosen ones must be starvingly poor, tormented, tortured, mentally ill, wired on drugs, suicidal, destructive, unreasonable, or somehow severely suffering in order to be 'true artists'. It's a notion that feeds into itself and causes harm to creatives in all walks of life IMO. JMO.