Donjeta
Adji Desir, missing from Florida
- Joined
- Mar 11, 2009
- Messages
- 19,246
- Reaction score
- 546
http://time.com/3599978/cosby-show-reruns-rape/
To be clear, I’m not asking here whether it’s “OK” to watch The Cosby Show. The moral question of whether to support an artist financially is a different one (and, as Todd van der Werff points out at Vox, whether or not you watch reruns will make very little difference to Cosby’s bottom line now). I don’t want to police that call, and if we ejected every questionable artist from the canon — abusers, bigots, reprobates — our bookshelves and movie queues would be a lot lighter.
But it seems hard to hear what we’ve been hearing and not feel anything different when watching Cliff Huxtable making faces and dispensing wisdom. “Innocent until proven guilty” is a standard for the courts, for good reason. But it’s not a standard for life. If what you know or hear about an artist affects the way you see their work, you can no more will yourself to feel otherwise than you can force yourself not to blink.
Of course, bad people can create great works. People are complicated. Art is complicated. And so is the question of whether you can separate the art from the artist — the answer is different for every creator and every audience member. Whatever you think of the disturbing allegations against Woody Allen, for instance, there’s a good argument that although his movies have often relied on his persona, they don’t depend on your considering him a morally upstanding person. (Even if some, like Crimes and Misdemeanors, turn on issues of morality.)
With The Cosby Show, though, Bill Cosby the person is throughly and intentionally baked into it— his identity, his persona, his claimed authority. It’s not a show made as if it wants us to separate the art from the artist, and not just because “Cosby” is in the name.
To be clear, I’m not asking here whether it’s “OK” to watch The Cosby Show. The moral question of whether to support an artist financially is a different one (and, as Todd van der Werff points out at Vox, whether or not you watch reruns will make very little difference to Cosby’s bottom line now). I don’t want to police that call, and if we ejected every questionable artist from the canon — abusers, bigots, reprobates — our bookshelves and movie queues would be a lot lighter.
But it seems hard to hear what we’ve been hearing and not feel anything different when watching Cliff Huxtable making faces and dispensing wisdom. “Innocent until proven guilty” is a standard for the courts, for good reason. But it’s not a standard for life. If what you know or hear about an artist affects the way you see their work, you can no more will yourself to feel otherwise than you can force yourself not to blink.
Of course, bad people can create great works. People are complicated. Art is complicated. And so is the question of whether you can separate the art from the artist — the answer is different for every creator and every audience member. Whatever you think of the disturbing allegations against Woody Allen, for instance, there’s a good argument that although his movies have often relied on his persona, they don’t depend on your considering him a morally upstanding person. (Even if some, like Crimes and Misdemeanors, turn on issues of morality.)
With The Cosby Show, though, Bill Cosby the person is throughly and intentionally baked into it— his identity, his persona, his claimed authority. It’s not a show made as if it wants us to separate the art from the artist, and not just because “Cosby” is in the name.