All of these conflicts are attempts to deal with what might happen, and I can understand that BMI/ASCAP are concerned with the possibility that your internet stream can go all over the world and might eventually reached more listeners than the broadcast. Without some sort of internet licensing, anybody with a computer can set up his own "radio station."
But there ought to be something in between unreasonable fees and no fees at all. Now that internet sites are getting better at measuring listeners (thanks to Google tracking systems, etc.), maybe something can be arranged that is based on number of impressions during the stream.
Of course, I look at it differently, not through the "eyes" of BMI as a whole, but on the basis of my yearly, 8-page, single-spaced, tiny type royalty statement -- and the check for $35 that comes with it! LOL. (Of course, my type of work (contemporary classical) doesn't get much airplay anyway, so I realize my statement is a bad example.)
But it seems to me EVERY arm of show business is always pointing to how much money is made thanks to the publicity generated for other arms.
How is not paying royalties for songs any different from not paying you and the other DJs? Why not tell DJs they can make their money from personal experiences generated by their radio exposure? (Different dollar amounts, of course, but how is the principal different?) 6% royalties is on the low end of what a Broadway show pays its creative staff, and just a drop in the bucket compared to what can be made for a movie.
Yes, it's amusing, isn't it, to hear the younger generation claim it is entitled to "free" downloading?