I thought at first the doc seemed to suggest the killings were "definitely" done in the home. But actually, it doesn't. (his bail doc, p20) "... now the murders of Ms. Taylor and Ms. Costilla, occurred at times when Defendant Heuermann would have had
unfettered time to execute his plans for each victim
without any fear that his family or others residing at TARGET RESIDENCE would uncover or learn of his involvement in these crimes." That's kind of different from an outright statement they occurred in the home. Here's why I'm wondering about this so much.
He lives in that LI neighborhood, he's had contact with
hundreds of sex workers.
Details from murder suspect Rex Heuermann's online search history were also included in the bail application filed by Suffolk prosecutors.
www.newsday.com
There's no way he was strolling around there with "hundreds" of women other than his wife over the years, the neighbors would have been abuzz with this info right from the get-go. Obviously, he was meeting with sex workers at various points
somewhere else. Where? I'm sure hotels, but-- somewhere else. He notes concerns about noise. How'd he keep the victims from screaming repeatedly? I just don't believe he did this either routinely or for all murder victims in the home. With that said, he clearly engaged in such horror (the push pins and the cloths and so on), so he had to have had the victims in an indoor location at some point.
I know people are mentioning on here the idea of a darkroom, too, for photos. He mentions rolls of film in that doc, so agreed on this, suspecting the darkroom. And these are possible even for frugal people, I knew people of pretty modest means who had one in the home. But here's something weird with that photo thing. He says at one point for supplies, "photo film." (p22) But he comes back on p24 post-event with
Dispose of Pics. So he takes photos, goes to the trouble of developing them himself, and then immediately destroys them? Is he talking about only "some" pics destroyed??
??? A million questions here.