I honestly find reading about the whole masonic thing to be not much more interesting than reading People magazine, so I'm not too up on all the minute details, but I was under the impression that the Illuminati/Masons/whoever and Habsburgs (Hapsburgs if you prefer) were at odds with one another. Odd then the reference to Habsburg money.
I also find the hexagram pointing to the letters to be a bit of a stretch. The emblem with the eagle and the one with the pyramid can be seen to have the same geometrical foundation even with a quick glance. I don't have time to really look at it for a while, but my first impression is that they are actually based on an inscribed octagon that has its flats to the top and bottom rather than the points. There are also 3 touching circle stacked up in the middle. A vertical line on each side of them and tangent to them might align with the points of the octagon. I should be able to see that in my head, but I'm a both a little rusty and rushed, so I'll come back to that. That sort of analysis isn't hard, but takes some experience and a bit of time. Atrists were routninely taught that sort of stuff before modernism took over. Very few schools teach it now, which is why modern American coins look so awful. Compare a recent on to one from the 20's. We don't even have well trained immigrants to do the job like we used to because the Europeans don't teach that either any more.
Almost any image from the middle ages has a geometric foundation. Likely an octagon or a 12 pointed star.
This has a series of circles (not series in a mathematical sense of progression that I see). One set is centered on the lady's head or just to its left. It passes through the lower ring of angels heads. Several more interlock with that. The devil's fork like fits into something.
Edited to add: I just saw that the hands of the two figures are on a line that is perpendicular to the devils' fork. Now I'm really out of here for a while.
Most comic strips are drawn on a grid. Look closely and you can see it in your daily paper this evening if you still have one of those.
Most of these frames have an obvious lower left to upper right diagonal, although the third has a more prominent diagonal in the other direction. The big frame has the diagonal met by secondary diagonals that are perpendicular to it running from the other corners. There is also a progression of verticals and diagonals in the main triangular group that show some sort of regular grid. Note also the line from the leftmost dog's head through the rear feet of the other dogs. It's part of the same system. On the bottom edge that line hits a line that passes through that dog's head, Dagwood's hand, Blondie's head, and the upper right corner. I'm past due to be somewhere. If I get a chance later, I will try to see if I can figure out a way to share Images of my own. I'd draw the relevant lines to show what I'm talking about, but I have to figure out to upload them rather than link to them.
