BBM me either. I just can't crawl that far into OP's mind.I finished the prosecution sequence. I'll post it here as a contrast to the defense version. I based it on Mangena's testimony. I think he got about as close as you can get to what happened without seeing poor Reeva's body in the WC.
First photo:
Blue figure: RS standing facing the door. She is hit in the hip with bullet A. She is screaming.
Red figure : RS falling back onto the magazine rack. She is still screaming.
Green figure: RS falling to the right during the missed shot. She is hunched over in pain, trying to cover her head. She is still screaming.
Second photo:
Blue figure: RS continues to fall to the right and forward, twisting her torso as she falls. She is hit in the right arm with either bullet C or D. Her arm is nearly amputated and it drops, useless, to the left of the toilet. She is still screaming.
Red figure: She still has use of her left arm and is still trying to protect her head. She is shot through her fingers and in the head with either bullet C or D. She stops screaming.
Green figure: She falls, mortally wounded, onto the toilet.
Third photo:
Green figure: IMO, RS likely came to rest, with her lower body atop the magazine rack/ per Mangena, and her head hanging into the toilet in some manner.
Grey figure: This is a guess as to where OP stood in the WC. There are no footprints in the blood pool and Reeva's legs would be somewhere around where I put them. There is not many places that he could have been without stepping in the blood.
Op made that really weird statement about putting his left hand under her right arm to feel for a pulse. He may have done just that, after sliding it under her left arm to pick her up to drag her out. As has been said, he had tremendous upper body strength. It might have been a struggle, but I think that he could lift her from that position.
I could create a perfectly smooth and realistic animation using these still poses, right from the standing position to the final one. All I had to do was to find a standing location close enough to the mag rack to have have the figure fall back onto it. From there I simply rotated the figure on the z axis, making slight changes to the twist of the body, and changing the positions of the extremities.
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