No it's not
that simple
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The SWFA video with the Nissan Altima are recorded sequences of the surveillance cams. The frames dictate a smooth transitioning of movement and 24 frames per second is the worldwide standard for theater film projectors.
1 frame per hour on the other hand would be the standard for extreme time-lapse photography. In between those 2 standards we have1 frame per minute for time-lapse photography and stop-motion animation,18 frames per second for early motion picture films, 48 frames per second for slow-motion photography (because it takes twice as long to play back in a 24 fps projector, the motion is twice as slow), 300+ frames per second for high-speed cameras for very slow-motion photography (often used for miniatures to make models seem larger on screen) and 2500+ frames per second for very high-speed cameras for special effects such as pyrotechnic photography and explosions. So, that's that.
The sequence - aka Dark Sequence named by Jethro4WS - where you have the only good visibility of the license tag, consists of an x amount of frames based on the settings of the cams, that did the recording. I went ahead and exported layers/frames with a setting of 30 fps (frames per second) via Photoshop CC and created a PDF file. One can scroll through it and create a sense of movement. If you like to work on a frame, just download it. You can also just make screenshots, if you don't have a way to handle the pdf by the way.
We will most likely see several versions of files and frames, that's a good thing. Some may show more detail, than others. Be cautious with de-blurring programs. Those logarithms may create things, that's not there and connect things, that were separate. In other words, artifacts will become even more detailed artifacts.
PDF file:
https://drive.google.com/file/d/0B3g...ew?usp=sharing
1 frame per hour on the other hand would be the standard for extreme time-lapse photography. In between those 2 standards we have1 frame per minute for time-lapse photography and stop-motion animation,18 frames per second for early motion picture films, 48 frames per second for slow-motion photography (because it takes twice as long to play back in a 24 fps projector, the motion is twice as slow), 300+ frames per second for high-speed cameras for very slow-motion photography (often used for miniatures to make models seem larger on screen) and 2500+ frames per second for very high-speed cameras for special effects such as pyrotechnic photography and explosions. So, that's that.
The sequence - aka Dark Sequence named by Jethro4WS - where you have the only good visibility of the license tag, consists of an x amount of frames based on the settings of the cams, that did the recording. I went ahead and exported layers/frames with a setting of 30 fps (frames per second) via Photoshop CC and created a PDF file. One can scroll through it and create a sense of movement. If you like to work on a frame, just download it. You can also just make screenshots, if you don't have a way to handle the pdf by the way.
We will most likely see several versions of files and frames, that's a good thing. Some may show more detail, than others. Be cautious with de-blurring programs. Those logarithms may create things, that's not there and connect things, that were separate. In other words, artifacts will become even more detailed artifacts.
PDF file:
https://drive.google.com/file/d/0B3g...ew?usp=sharing