otg
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I think we're almost there, UKG. Which is gonna be something, considering this discussion goes back almost two years now:
[ame="http://www.websleuths.com/forums/showthread.php?p=5733074#post5733074"]Cords, Knots, and Strangulation Devices - Page 3 - Websleuths Crime Sleuthing Community[/ame]
(...and this was before we had some of the information we have now about it.)
I think I agree with you.
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[ame="http://www.websleuths.com/forums/showthread.php?p=5733074#post5733074"]Cords, Knots, and Strangulation Devices - Page 3 - Websleuths Crime Sleuthing Community[/ame]
(...and this was before we had some of the information we have now about it.)
But that would be the case only if he was doing the spectral analysis at the same time he was doing the rest of the autopsy. He wasn't. He was doing an autopsy on a dead body, and gathering evidence that would be analyzed later -- probably by an independent lab.otg,
With all due respect. If you test some material using spectral analysis and you find out it has the property of being birefringent, then its two indexes, e.g. ordinary-ray and extra-ordinary ray, alone should allow you to identify it from a table of indices, but I guess they use computers to do that too these days. Cellulose is optically biaxial and is highly birefringent.
True, it could be. I'll just leave that one there, because we don't (and probably won't) know.It could be argued that Coroner Meyer was being economical in his use of words. Rather than state a splinter of wood had been found inside JonBenet, he chose to describe it as birefringent material.
Correct. And in this scenario, by your description, it is the paintbrush being used and not the fingers.Originally you asked:
That is:Did the splinter come directly from the paintbrush, or was it transferred by a finger which had picked it up while breaking the paintbrush? We will probably never know the answer to that.
1. Did the splinter come directly from the paintbrush?
2. Transferred by a finger which had picked it up while breaking the paintbrush?
OK unless the episode of acute sexual assault incorporates the paintbrush as part of the sex play, then at this stage no splinter of wood will be on the perpetrators finger, because the paintbrush has not been snapped in two, so far.
:waitasec:When the paintbrush is used as staging it is snapped in two. Now assuming the stager did not digitally assault JonBenet, e.g. why bother with a paintbrush, then the splinter probably originated from the paintbrush being inserted into JonBenet?
I think I agree with you.
If you mean the "use of the paintbrush" as in... its use in the fashioning of a "garrote" (I can't believe I just used that word there.), then yes, I agree again.The use of the paintbrush is linked directly to Patsy, because her fibers are embedded into the knotting of the ligature/paintbrushgarrote.
You've read what I believe happened. It hasn't changed that much from what I stated in the thread referenced above. If you recall, I was somewhat excoriated at the time for suggesting that BR had anything to do with any of this.No doubt you can suggest some other scenario?
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